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The term masochism was later derived from the author's name by Richard von Krafft-Ebing in the latter's 1886 forensic study Psychopathia Sexualis.

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A dominatrix might be of any sexual orientation, but her orientation does not necessarily limit the genders of her submissive partners.

The role of a dominatrix may not even involve physical pain toward the submissive; her domination can be verbal, involving humiliating tasks, or servitude.

Women who engage in female domination typically promote and title themselves under the terms "dominatrix", "mistress", "lady", "madame", "herrin" or "goddess".

A study of German dominatrices by Andrew Wilson has said the trend for dominatrices choosing names aimed at creating and maintaining an atmosphere in which class, femininity and mystery are key elements of their self-constructed identity.

Ancient cuneiform texts consisting of "Hymns to Inanna" have been cited as examples of the archetype of powerful, sexual female displaying dominating behaviors and forcing Gods and men into submission to her. Nomis notes that Inanna's rituals included cross-dressing of cult personnel, and rituals "imbued with pain and ecstasy, bringing about initiation and journeys of altered consciousness; punishment, moaning, ecstasy, lament and song, participants exhausting themselves with weeping and grief." The profession features in erotic prints of the era, such as the British Museum mezzotint "The Cully Flaug'd" (c.

1674–1702), and in accounts of forbidden books which record the flogging schools and the activities practised.

This included the names of 57 women, some actresses and courtesans, who catered to birch discipline fantasies, keeping a room with rods and cat o' nine tails, and charging their clients a Guinea for a "lecture".

The 19th Century is characterised by what historian Anne O.